the BIG TUSK est un collectif musical franco-suisse qui se démarque par une direction artistique unique, défiant les conventions et les frontières entre musique improvisée et électronique.

Depuis 2018, le quartet se consacre à improviser en direct l’ambiance hypnotique et enivrante d’un live de musique électro, relevée d’une spontanéité explosive et d’une passion pour l’expérimentation sonore.

Dans la digne lignée de groupes tels que Knower ou Cabaret Contemporain, the BIG TUSK use d’influences diverses (Aphex Twin, Mr Oizo, Kurt Cobain) pour se forger une identité propre qui décloisonne complètement les genres..

Discographie
Juin 2024
It’s Alive – Jazz-o-Tech

Cette Saxophoniste d’origine Autrichienne, née à Paris et vivant à Ibiza , connait tous les codes du Spiritual Jazz. Elle est influencée par ses Maîtres : John Coltrane, Pharoah Sanders ou Gary Bartz.

A la tête d’une discographie d’une bonne dizaine d’albums en 15 ans de carrière – tous auto-produits – Muriel Grossman vient de sortir son nouvel Album ‘“ The Light of the Mind “ sur RR GEM RECORD . Jack White lui-même a flairé la talentueuse Saxophoniste en sortant l’année dernière son Album “DEVOTION” sur son prestigieux Label Third Man Record . Ses concerts son impressionnants comme en témoigne son dernier show au festival du Jazz de la Villette en sept 2024 dernier , salle Pierre Boulez à la Philarmonie de Paris .

https://philharmoniedeparis.fr/fr/live/concert/1171554-muriel-grossmann-quartet

https://www.radiofrance.fr/fip/podcasts/club-jazzafip/special-festival-jazz-a-la-villette-1-9977015

R.M.F.C.
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(SYDNEY, AUSTRALIA // ANTI FADE Records, TOTAL PUNK Records, GOODBYE BOOZY Records)

ROCK MUSIC FIGHT CRINGE

What is modern music writing without the opening descriptor “long awaited”? To describe most records as being awaited is ridiculous. Nobody today has the patience to wait for a text or a tram or a traffic light… and yet… there is something here, I have a point to make…

Please resist cringe – I will not cringe, cringe is the mindkiller – I assure you, I never use words like “long awaited debut” in polite conversation and avoid those who do by general rule.

But.

ROCK MUSIC FINESSE CLASS

The imminent arrival of the R.M.F.C. long awaited debut means rules must be broken, tablets must be shattered, sacred pigs must be slaughtered…

In our age of media saturation and attention deficit, where every band has side project with a triple LP catalogue before they’ve played a show or had opportunity to tease or tantalise, there’s a lot of easy music being created… and forgotten… look back over the past decade and see how many hype bands you’ve forgotten, how many redundant “long awaited debut” ended up ashen within a month. Nobody is waiting for more easy music. We are waiting for the R.M.F.C. Club Hits LP.

Anyone paying attention to underground Australian guitar overdose would relate: the R.M.F.C. Club Hits LP has been the culmination of five years of work, patience and discipline. If you’ve heard these songs live at any of their shows over the past couple of years you’ll understand – the wait is over and the result is exhilarating.

ROCK MUSIC FANATIC CONVULSIONS

To your average German the sound of Bach made them reverent with Lutheran frenzy, and for the average rock music fan the sound of R.M.F.C. makes them catatonic with guitar overdose.

To your exceptional German composer that came after Bach, the sounds of Bach inspired genius invention, and for the generation of exceptional rock music creators that come to Club Hits, a great deal of easy listening rock music has become redundant and this is a new standard: the craft of these songs is precise, the flow of this record is masterful.

Club Hits is one of those rare records that sounds absolutely of its time without evoking depression, despair and disgust – for we live in times of desperation that most rock music bands are adorning with insipid, tedious tunes that couldn’t make most people put their phone down let alone believe in R.M. – but with the benefit of 80 years of ROCK MUSIC to draw on, there’s a lot of mistakes that Buz learned from and hasn’t replicated here.

ROCK MUSIC FOOTBALL CLUB

I like music and I like football. I like physicality, sweat, blood, I like music with guitar and drum… I like to experience being in the presence of violent movement that is graceful and produces goals or songs…

Great live band this R.M.F.C. Kicking goals, making songs.

If not for the experience of watching them play these club hits live, I don’t think we would be “awaiting” this record. Which is to say, on record FC President Buz takes on all duties: songs written, songs recorded and songs mixed by the Commander In Chief Clatworthy.

If this was the extent of it, if we couldn’t SEE and FEEL the rock music in R.M.F.C., if it was RECORDED MUSIC FAN CLUB – I’m sure you understand me – Buz has managed to make a solo bedroom project into a rock music band of great quality, and hearing these songs develop and stick in your head for days and weeks and months after the show, festering and waiting to be unleashed on the world this coming November 3rd.

ROCK MUSIC FAN CLUB

For those who read these things without listening first, you might ask: what does this R.M.F.C. sound like?

Let’s stay with the overused descriptors – I think R.M.F.C. is rock music band, more specifically a post-punk band.

Indulge me.

If you could say anything about post punk it means post-Wire, who were past punk before punk had an opportunity to codify and become everything brilliant and stupid that we’ve spent 40 years unpacking.

Wire unpacked punk immediately and spent three perfect albums mapping what comes next – their “long awaited debut” came after a pub rock punk phase… and entered into the world of angular guitars and arctic ice feel.

Wire’s opening Pink Flag jab – Chairs Missing straight – and 154 hook knockout has haunted the mixing desks of ambitious post-punk bands since, and every major city in the western world has at least one Pink Flag band, one Chairs Missing band, one 154 band.

Few bands manage to sound like all 3 records, but R.M.F.C. are rock music fan club…

ROCK MUSIC FREAK CLUB

One day when I listened to the Velvet Underground ‘What Goes On’, I thought: this is a perfect song. I could listen to this song for hours on end. I did this – I listened to live versions, multiple ten minute plus jams, alternate mixes, and then back to the album. Over and over again. The song continually delivered new revelations, I saw a golden path leading through a dark cloud of misery, surrounded by spite and resentment, a golden path leading toward something better… and in Club Hits, I hear that same obsessive nature, I could imagine you understand this too, I know I am not alone in listening to rock music like I am encountering the sacred sound of a new religion… you must be obsessed to make music like this, and you must also respond with true passion and devotion… our times need the Club Hits…

ROCK MUSIC FINAL COMMENT

R.M.F.C. Club Hits LP on Anti Fade (AUS) / Urge Records (USA) will be released on November 3rd.

Written, recorded and mixed by Buz in Burrill Lake and Sydney between January 2022 & April 2023. Mastered by Mikey Young.

The Scissor Sisters, The Cure, Thick Pigeon, Eiffel 65, Ed Turner and Danilof Center. Du groove, de l’expérimentation, une énergie brute. Ainsi, The 8th Cumming “coupe dans le gras” et bouscule les oreilles avec des mélodies cyberféministes

Possiblement l’incarnation musicale la plus cohérente de la Ville aux Cents Clochers, SERVO tirent leur nom d’un titre du Brian Jonestown Massacre mais la comparaison s’arrête là. Psyché par vocation et pas par mode, les gars ont tôt fait de délaisser les tempos mollassons du genre pour des rythmiques syncopées, frôlant parfois-même les beats disco et les patterns garage. Sur scène c’est l’orgie sonique, la répétition devient transe et les voix lointaines s’entremêlent à la manière de trente Ian Curtis dans la chapelle Sixtine. Très vite on a d’yeux que pour l’étrange danse du cheval à bascule de la guitare et de la basse; la tête noyée dans une masse sonore aux allures d’un trip dont on ne redescendra que lorsqu’ils l’auront décidé.